Have a Horrible New Year

If I could say anything about 2015, I really hope I get more of the same in 2016.

tftc_new_years_promo03_0To me 2015 was a fairly modest year as far as my writing endeavours go (check out my bibliography), but I’m certainly not going to scoff at it.

The way I see it, ANY publishing success, regardless of level of publication or payment, is a win, so the handful of short stories I had published this year, may be small, but they will be what keeps me going next year and beyond.

I’m not as prolific a writer as I’d like to be, but this year I managed to complete a novel and I’m very happy with how it turned out. I may still be trying to find a publisher for it, but I got it done, and that’s half the battle.

My art (see my art website) seems to have taken the lead and I’ve probably produced more illustrations than words, but that’s cool too. It’s yin and yang as far as I’m concerned.

As the year draws to a close, and I approach my 40th year on this rock, I hope that this slow burn continues. I hope I keep writing and drawing and getting published. January will be off to a solid start with the publication of my novella, The Eschatologist. I hope you consider giving it a read.

I hope too that my writing friends and associates across the globe continue to kick goals as well and that we keep connecting in every way possible.

Here’s to 2015, but let’s bring on 2016 with a bang.

Happy New Year.

Apocalyptic art

When I signed with Voodoo Press to publish my novella, The Eschatologist, I knew one of the first things I hoped to include was some internal illustrations to complement the story.

Art played a big role from the very beginning, with some favourite pieces of art influencing the overall look and feel of the narrative. I wanted to share some of them with you and also give you a little ‘hint’ at what my internal illustrations will look like.

The Great Day of His Wrath, by John Martin, was one of the first artworks which came to mind. This image is essentially what happens to the world in my story. The way this painting captures the absolute end of the world scenario has always taken my breath away.

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Another piece is The Triumph of Death by Pieter Bruegel. The medieval times were so fraught with peril and faith in the end times, that it wasn’t hard for artists at the time to represent the apocalypse.

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The art of late Polish painter, Zdzisław Beksiński is also a huge influence. Although my story isn’t as surreal, the artist’s visionary landscapes appealed to me immediately.

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Now obviously with my artwork in The Eschatologist, I havent set out to replicate these masters, but rather add a few nuanaces to my story. I chose certain scenes and characters that I wanted to depict. Below is a taste of two of some of the images that will feature in the print edition of the novella.

The left image is of Amos, the antagonist of the story and the right depicts a scene early on in the tale.

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To view more inspiring apocalyptic art check out this slideshow

http://www.huffingtonpost.com/2011/05/21/most-apocalyptic-imagery-_n_865032.html?ir=Australia#slide=start

The Eschatologist will be published on Janaury 15, 2016 in print and e-book versions. The e-book can be pre-ordered from Amazon now.

Author Interview: Mark Allan Gunnells

12351057_1014276621944703_155013441_nUS author Mark Allan Gunnells’ collection, FLOWERS IN A DUMPSTER has just hit the physical and digital shelves and I wanted to get the lowdown on how it came about from the man himself. In this interview he talks about the collection, what influences his writing – and Clive Barker!

GC: You have a new short story collection out, FLOWERS IN A DUMPSTER from Crystal Lake Publishing.  How difficult was it to select the “best” of your writing?

MAG: I did spend a lot of time choosing the stories to include.  I wanted to display a range in tone and subject matter, length, and even time period the tales were written.  I have stories here that date back to my college years, and others that were written just last year.  I did some hemming and hawing, dropped a few stories I initially thought were shoe-ins, before finalizing the manuscript.  When I sent it in, Crystal Lake said if they would let me know if they thought any stories didn’t fit and we could work at replacing them, but they accepted the table of contents as it was and we didn’t drop anything.

GC: Your stories seem to push ordinary people into strange or confronting situations.  What is it about the human condition which fascinates you as a writer?

27911326MAG: I am very interested in how regular individuals react to extreme circumstances.  In some it seems to bring out leadership and heroism, whereas it others it brings out savagery and cruelty.  It makes me wonder, does being put in an extreme situation just make us more of who we always were deep down inside, or does it change us into something else entirely?  These are fascinating and somewhat fun questions to explore in fiction.

GC: You were lucky enough to have Clive Barker blurb your book – is he one of your biggest influences?

MAG: I consider Barker a huge influence on me, for several reasons.  For one, he’s just an amazing writer with amazing vision.  And one of the things that appeals to me most about him is that he first made his name and gained fame through short stories.  I am a passionate lover of the short form, and it really warms my heart to see a writer whose work in short fiction catapulted him so far so fast.  As a gay man, I remember reading about him coming out when I was a teen, and that was a tremendous inspiration because back in the early 90s there didn’t seem to be a place for gay writers in the horror community, not like there is now, but he gave me hope. 

Last year he was judging a short story competition based on one of his paintings, and I entered not really expecting much but just delighted by the idea that Barker would actually read something I wrote.  I was ecstatic and shocked when my tale “The Support Group” was chosen as 1st runner up.  Barker provided the tale with a generous and lovely blurb, which we were allowed to utilize for the collection which does contain that piece.

GC: You recently co-wrote a book with Aussie author Aaron Dries.  Can you tell us a bit about that experience?

MAG: Aaron Dries is one of the nicest fellows around, and a hell of a talented writer.  I had the pleasure of meeting him earlier this year at the World Horror Convention in Atlanta, GA, and we instantly hit it off.  I’d already read some of his work and was a fan, and when he tossed out the idea of collaborating on something, I jumped on it.

He had an idea for a zombie novella that would not be your typical tale of the undead.  Something more metaphoric and emotional.  As we got into the story, it began to grow until it ended up a full-blown novel.  The process was so much fun for me, with us writing and then rewriting each other’s work so that our voices truly blended into one unique voice that was neither his nor mine but something totally ours.  I learned a lot from him and feel he helped me grow as a writer.

The novel is currently being read by a publisher, and we’re hopeful they will publish it.  If not, we’ll just shop it elsewhere, but I feel confident we’ll find a home for it.

GC:  What’s next for you – and what are you working on now?

MAG: Well, I’ve been in serious pimp mode for months now.  I had a Halloween collection HALLOWEEN HOUSE OF HORRORS out in October, a zombie novella FORT out in November, and now FLOWERS IN A DUMPSTER.  All projects I’m very proud of, so I’ve been working overtime spreading the word.

I’ve just started a new novella called BOOK HAVEN which is my first stab at a futuristic tale, while continuing to work on various short stories.  I also have a novel I plan to get into once the novella is done, my own unique twist on the haunted house tale called 432 ABERCORN.

Flowers in a Dumpster is available now from Crystal Lake Publishing

For more info on Mark, visit his blog – http://markgunnells.livejournal.com/

Cover reveal: The Eschatologist

I can finally reveal the cover artwork for my forthcoming novella, The Eschatologist, coming soon from the folks at Voodoo Press.

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The image captures the tone of the novella well. It just screams post-apocalyptic nightmare doesn’t it? 🙂

Don’t let the image of the crucifix fool you. This isn’t a preachy story. It has themes of faith sure, but this story will explore just how far people are prepared to go for their faith.

Ultimately it’s a story about choices, redemption and a whole lot of blood.

Here’s the official blurb:

David Brewer is trying to keep his family alive in a world torn asunder by a Biblical apocalypse. Yet there is salvation, in the guise of a stranger who offers survivors sanctuary. All they have to do is declare their faith in God’s final – and bloody – plan.

Best-selling author and friend Tim Marquitz also provided this killer testimonial:

“Madness and murder and miracles all abound in The Eschatologist. Reminiscent of Barker’s early work, the end of the world has never been so bleak.” –Tim Marquitz, author of the Demon Squad

Right now the book is being edited and it should be released very soon. There will be a digital version and potentially multiple formats in print, which will include four original illustrations by yours truly.

So stay tuned, because the End is Nigh.

Lighthouses and Electric Telegraphs

I’ve had a couple of short stories released recently.

The Black Beacon Books’ anthology Lighthouses, contains a bunch of stories by Australian authors, including my tale, Light House, Dark House, the story of a photographer who meets a very strange lighthouse keeper and discovers that the lighthouse might be drawing people into harm’s way rather than keeping them safe.

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I also provided the cover artwork for this volume. It is available in print and digital format from Amazon.

Meanwhile the Canadian horror magazine, DevolutionZ Magazine, this week published my short story, What Hath God Wrought, a tale of a zombie outbreak that is predicted via morse code.

I had a lot of fun translating the text to morse code online and if you follow this LINK you can hear a line from the story.

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DevolutionZ Magazine Issue 5 is available in print and ebook from Amazon.

Happy reading!

Rest in Peace Mr. Poe

October 7, 2015 marked 166 years since the passing of Edgar Allan Poe.

A lot of people may ask why so many celebrate or remember an author who has been dead for so long. His memory certainly endures, but mainly I think because of the mysterious nature of his death. The unanswered nature of Poe’s death sadly has become his legacy rather than his writing and this to me is the greatest literary tragedy of all.

I first read Poe’s work in university while I was studying journalism. I remember it distinctly because it was what sparked my zest for writing. The story I read was The Fall of the House of Usher. It was bleak, morbid and morose, but it was beautiful. There was such passion in Poe’s story. Death and terror suddenly had a romantic quality. Poe invoked feelings and imagery with just a few lines, a few words. Immediately I wanted to read more of his work and it wasn’t long before I tracked down a copy of Tales of Mystery and Imagination. But even more importantly Poe inspired me to write tales of my own. There’s no doubt that every horror author has been touched by Edgar Allan Poe.  Greats like H.P. Lovecraft, Stephen King and Clive Barker have all named Poe as a source of inspiration.

One hundred and sixty-six years after his death, Poe’s legacy does live on, with his former residences transformed into museums and memorials. I hope to visit these places one day, not as a fan, but a fellow writer. Poe’s life was a very difficult one and his death, but his passion for writing and seeing the beauty in death is something that I will always be thankful for, both as a reader and an author.

If you have never read any of Poe’s works, you can read many of them at PoeStories.com. I think I’ll revisit The Fall of the House of Usher in my 1979 Octopus edition of Edgar Allan Poe: Forty-Two Tales, which is gorgeously illustrated by Harry Clarke.photo (2) photo (1)

In 2011, I published a free collection of some of my short stories, including my tribute piece to Poe, entitled Patrick Oswald Edwards. You can download it HERE.

Here’s an art piece I created last year depicting Poe and some of his more famous stories.

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Rest in Peace Mr. Poe.

Giving back some blood

I’ve always believed in the concept of helping people out and when it comes to writing, authors need all the support they can get.

Hence my latest venture – Fresh Blood, a Facebook page I’ve created to try and help get new works of fiction into the spotlight.

The idea is pretty simple: whenever a new book comes out or one is announced, I’ll post it on Fresh Blood. What will make this endeavour work though is people power, so please, Like and Share the page. Better yet, if you hear of a new book coming out, message a link to the page and I’ll post it.

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I know I won’t be able to highlight every single horror book that comes out, but even if only a handful of authors have their books bought and read because of Fresh Blood, then I consider that a win.

I’ve also learned that support goes both ways. In the past week my beta reader friends Matthew Tait, Amanda J. Spedding and Jim Chambers have helped me immensely with my stories and I owe them a huge debt. Thanks guys.

If you’re a horror author and you really want to be part of a great community I suggest you join either the Australian Horror Writers Association, or the Horror Writers Association. They’ll definitely go to hell and back for you 🙂

Vaudevillian giveaway

To celebrate one year this month since the publication of my shorty story collection, Vaudeville and Other Nightmares I’m GIVING AWAY a signed print copy. 🙂

To enter, just LIKE or SHARE my Facebook Author page and you go into the draw! (Click the graphic below to head over to the page)

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The competition closes on September 30, so get on board!

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Don’t forget you can purchase a copy of my collection in print or e-book formats from Amazon!

The novel that (almost) never was

There were moments when I was close to throwing my novel into the trash icon on my laptop and forgetting I’d ever dreamed it up.

Thankfully the little devil on my shoulder told me to “finish the damn thing” and this week I completed the first draft of my novel, tentatively titled The Temple of Folly.

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This was an on again off again novel; one that started inside a notebook about twelve months ago and I later shelved because I didn’t really want to write it at all. The previous novel I’d written had been rejected after almost a year of waiting and it was a real kick in the guts. I was ready to throw in the towel with writing altogether.

The little devil on my shoulder slapped me around and told me to grow a pair. He reminded me of one of Neil Gaiman’s rules that graced the poster on my wall –

“Finish what you’re writing. Whatever you have to do to finish it, finish it.”

So that was what I did. I took out the notebook with the scrawl of the first few chapters that I’d written and started to type it up into a fresh word document. I hate writing long pieces straight into a computer because I can’t type for shit, but as I did, the story started to form, characters were fleshed out and the end no longer seemed like a chore.

So I’ve written a haunted house novel. It wasn’t as long as I wanted it to be (about 56,000 words), but I FINISHED it. It’s currently in the hands of two trusted beta readers and I’m looking forward to hearing what they liked and especially what they didn’t. I’m actually excited about the fleshing out and editing to come because it’s a complete novel, not some half-finished draft, or sheafs of notes, but a WHOLE novel.

I’m very happy that the little devil talked me around.

One of the beta readers asked me for a brief synopsis and at first this made me cringe because who wants to write a goddamn synopsis – ever? Again the little devil poked me with his pitchfork.

FINISH IT!

So here’s the off-the-cuff synopsis. I hope it entices:

It was just the old house on the corner.

No one in Willow Street paid it any notice; not the disgruntled Campbell family next door, not Alice Cowley and her suicidal daughter, or Mr and Mrs Markham down the road.  Not even Darryl, the loner at number 70, who was abnormal himself, knew it was there. It was just old Kemper House, forgotten and seemingly abandoned as far as anyone knew.

Until it made itself known.

When the stench of death wafts from Kemper House through Willow Street, and comes to the attention of recent resident and newspaper reporter Ben Traynor, it will start a chain of horrors that will bring Kemper House’s curse into their own homes and lead others direct to its door. 

Kemper House will not only haunt its neighbours, it will infect them with an evil that traverses time and space itself.

DARKSCRYBE.COM

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